Jada wore a lot of diamonds on that stage, but he also wore Tims and camo shorts.
The lox and dipset concert how to#
There is absolutely nothing like a fired-up crowd at a New York rap show.) It was the Lox’s DJ knowing exactly how to drop the right song at the right moment, coming back with an answer every time Cam or Juelz attempted to goof on their opponents.īut so much of it was just Jadakiss himself, carrying his crew on his back and putting on a clinic, building on decades of accumulated goodwill and everyman excellence. It was the Lox understanding their audience, knowing that they could trust this New York crowd to rock with their deep cuts and mixtape freestyles. It was Jada standing back-to-back with Styles, like in the “Banned From TV” video. It was the Lox making sure to really rap their shit over their instrumentals, not letting their recorded vocals carry them. It was almost like they were up there with the intentional purpose of making Jadakiss look great.įULL Replay: #VERZUZ #TrillerVerz /k9LkXLXdowĪ lot of it was stagecraft, showmanship. On Tuesday night, they played plenty of anthems, and they made me smile a bunch of times. But Dipset shattered and reassembled a bunch of times in the past 16 years, and it’s pretty clear that they now exist as a business arrangement. The weekend I moved to New York, summer 2005, I saw Juelz perform a 15-minute set at the same Lower East Side bandshell where Charlie Ahearn filmed the Wild Style grand finale, and then I saw him sign autographs and pose for flip-phone pics with screaming, sobbing project kids for 45 minutes afterwards. With their baroque knucklehead peacockery, the Diplomats, at their peak, carried themselves like surreal comic-book supervillains, stylistic goon futurists who swept the whole New York metro area up in their cosmic joke. I’ve never loved the Lox the way I love Dipset. He just rapped his raps and talked his shit, and he sent heads spinning. On Tuesday, though, Jada wore that workmanline consistency like gleaming golden armor. Jadakiss already did one Verzuz battle on his own, taking on Fabolous in the early pandemic days. Jadakiss always had a handful of verses that could make me clothesline my next-door neighbor, but his presence was the unflashy journeyman type. He’s been out there, cranking out decent records marred by middling for-the-radio singles. This should be the official submission for Jadakiss campaign as New York City Mayor /MF90QtBQfIįor most of the last two decades, it’s been all too easy to take Jadakiss for granted. But last Tuesday night, in the Theater at Madison Square Garden, Jadakiss cemented everlasting legend status. That room is now known as the Hulu Theater, and it’s not like it’s hallowed ground or anything I saw Snow Patrol in that motherfucker once. This was the first Verzuz battle to take place in front of a paying audience, and it happened in the same room where Suge Knight said that any rappers who didn’t want their label guys all in the video, dancing, should come to Death Row. Last Tuesday night, the Lox and Dipset, two titans of the last great era of ignorant head-slap New York rap music, faced off in a Verzuz battle.
The lox and dipset concert full#
But then Jadakiss, in the middle of rapping his verse from “Felony N***as,” ripped Juelz Santana’s bandana off his head and threw it on the ground in front of a room full of people. I know which one I preferred, but these two entities were converging on the same point, attempting to age gracefully and set a good example for the kids. On the other: a duo of long-retired dayjobbers suddenly bursting out of obscurity with a new album of Kanye West beats that might as well have been sitting in a drawer since 2003.
One one side: a rap deity, coming off of a Grammy win and a whole lot of spousal-abuse allegations, attempting to project composure and wisdom and national-treasure gravitas. I thought maybe I’d write about the new Kanye West-produced Abstract Mindstate album, too.
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